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Digital audio cassette formats introduced to the professional audio and consumer markets: Digital Audio Tape (or DAT) is the most well-known, and had some success as an audio storage format among professionals and "prosumers" before the prices of hard drive and solid-state flash memory -based digital recording devices dropped in the late 1990s.
This is used with audio tapes to control playback. A typical scenario has an audio recording on the "left" track and short bursts of 5327 Hz at key locations within the audio. The program then starts the tape motor, causing the audio to be routed through the television speaker, waiting for a 1 to appear on the I/O port.
Digital. Audio Interchange File Format (AIFF) 1992 Digital Compact Cassette (DCC) A Digital Compact Cassette Digital, 1 ⁄ 8 inch wide tape, 1 + 7 ⁄ 8 in/s, introduced by Philips and Matsushita in late 1992, marketed as the successor to the standard analog compact cassette WAV (file format) Digital. Named after the waveform created by a ...
Cassette tape, a two-spool tape cassette format for analog audio recording and playback and introduced in 1963 by Philips; DC-International, a format that was created by Grundig after Phillips had abandoned an earlier format that was being created alongside the Compact Cassette; 8-track tape, continuous loop tape system introduced in 1964
In that time I’ve researched second-hand decks, ordered one, got it hooked up to my sound system, and have already started amassing a cassette collection. Whether that’s browsing Reddit ...
Another competing format, the Digital Audio Tape (DAT), had by 1992 also failed to sell in large quantities to consumers, although it was popular as a professional digital audio storage format. The DCC form factor is similar to the analog compact cassette (CC), and DCC recorders and players can play back either type: analog as well as DCC.