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Dos guitarras flamencas en América Latina (Two Flamenco Guitars in Latin America) is the second of four collaboration albums by Paco de Lucía and Ramón de Algeciras. Track listing [ edit ]
Integral is a limited edition, 26-CD box set of the works of renowned flamenco guitarist Paco de Lucía.All works have been remastered from the original source tapes. In addition, it includes a 60-page biography, a 115-page guide to each and every track, several albums that had been discontinued and out of print as well as a special bonus compilation disc exclusive to this box set called Por ...
In January 2012, they released Area 52, their first album backed by other musicians. The tracks on the album are mostly re-worked versions of songs that have appeared on their duo albums, Rodrigo y Gabriela and 11:11. Reviews were mixed, with some tracks criticised for the backing band drowning out the guitar work that fans love but others ...
Paco de Lucía was the lead guitarist accompanying singers on their albums, often with his name noted in the album's title. [39] Flamenco Festival Gitano recorded 1966–1971 Volume 3 (L&R records L&R 44.015) (in cuadro) released 1986; Volume 4 (L& R Records L&R 12L0101 recorded 1969, released 1981; El Chato de La Isla (Polydor EP 334 FEP) 1966
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The Rough Guide to Flamenco is a world music compilation album originally released in 1997. Part of the World Music Network Rough Guides series, [1] the album gives broad coverage to the flamenco genre of Spain. The compilation was produced by Phil Stanton, co-founder of the World Music Network. Liner notes were written by Tom Andrews. [2]
Michael Laucke (/ ˈ l ɑː k /; 29 January 1947 – 2 December 2021) was a Canadian classical, new flamenco and flamenco guitarist and composer. Starting at the age of thirteen, Laucke gave professional snooker demonstrations and his winnings allowed him to take trips from Montreal to New York City to study the classical guitar with Rolando Valdés-Blain.
Whereas the second half of the CD is a more or less random collection of songs, the first half of the record comprises a surprising series of songs which are broken in two parts: in the first part of the song, Morente's voice is superimposed on top of old 78 r.p.m recordings of old masters of the flamenco guitar like Ramón Montoya, Sabicas or ...