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Dos guitarras flamencas en América Latina (Two Flamenco Guitars in Latin America) is the second of four collaboration albums by Paco de Lucía and Ramón de Algeciras. Track listing [ edit ]
In January 2012, they released Area 52, their first album backed by other musicians. The tracks on the album are mostly re-worked versions of songs that have appeared on their duo albums, Rodrigo y Gabriela and 11:11. Reviews were mixed, with some tracks criticised for the backing band drowning out the guitar work that fans love but others ...
Roni Benise, is an American guitarist who describes his style as "Spanish guitar" or "nouveau flamenco." After growing up on a small farm near Ravenna, Nebraska, Benise moved to Los Angeles, California, to pursue rock stardom. After hearing flamenco music on the radio, he switched from electric guitar to nylon-stringed classical guitar. [1]
Michael Laucke (/ ˈ l ɑː k /; 29 January 1947 – 2 December 2021) was a Canadian classical, new flamenco and flamenco guitarist and composer. Starting at the age of thirteen, Laucke gave professional snooker demonstrations and his winnings allowed him to take trips from Montreal to New York City to study the classical guitar with Rolando Valdés-Blain.
Despite the title, the album is not a traditional flamenco album.. Stevens reported drawing inspiration from noted flamenco player Paco de Lucía after seeing him play live. . The album features acoustic Spanish guitar but also departs from the flamenco genre by including electric guitar, drum and bass loops, electronics, ambient sounds and midi ge
The Rough Guide to Flamenco is a world music compilation album originally released in 1997. Part of the World Music Network Rough Guides series, [1] the album gives broad coverage to the flamenco genre of Spain. The compilation was produced by Phil Stanton, co-founder of the World Music Network. Liner notes were written by Tom Andrews. [2]
Flamenco jazz is a style mixing flamenco and jazz.As flamenco artists in the 1960s and 1970s such as Paco de Lucia and Camarón de la Isla started experimenting with traditional music they had learned in childhood, a nuevo flamenco ('new flamenco') evolved.