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Lois June Nettleton (August 16, 1927 – January 18, 2008) [1] was an American film, stage, radio and television actress. She received three Primetime Emmy Award nominations and won two Daytime Emmy Awards .
The Sidelong Glances of a Pigeon Kicker (stylized as Pigeons) is a 1970 American comedy film directed by John Dexter and written by Ron Whyte.The film stars Jordan Christopher, Jill O'Hara, Robert Walden, Kate Reid, William Redfield and Lois Nettleton.
"No, this is a regular cigarette I'm smoking." [ 6 ] Then Came Bronson has also been referenced numerous times on the film-mocking TV series Mystery Science Theater 3000 , usually in a scene featuring a lone figure riding on a motorcycle.
Posing as an insurance agent, Mike Bergen (Michael Tolan) enlists a naive woman (Lois Nettleton) to take a hidden camera photo of a suspect. The camera turns out to be a gun and the shooting victim is his wife. Casey goes undercover to a hunting lodge in the Catskills to smoke Bergen out into the open.
In an interview of Nettleton published in The Greenville News (SC) on February 29, 1964, the following was reported: "Like many women of today, she is interested in ways to stop smoking, although she already has embarked on a 'cut-down program.' She admits that when she is before the camera she has to watch her diet . . . ."
The Honkers is a 1972 American comedy western film directed by Steve Ihnat and written by Steve Ihnat and Stephen Lodge.The film stars James Coburn, Lois Nettleton, Slim Pickens, Anne Archer, Richard Anderson and Joan Huntington.
Griffith, Lee Remick, Charles Irving, Charles Nelson Reilly and uncredited actors Lois Nettleton and Rip Torn all made their film debuts in A Face in the Crowd. [7] On the set, Griffith faced difficulty generating the intensity of the stage and asked to have discarded chairs available to destroy in order to instigate his rage before filming. [8]
Tiffin on the set of the 1971 Italian giallo film The Fifth Cord. In 1967, Tiffin relocated to Italy "to find out what I want." [3] She appeared in The Almost Perfect Crime (1966) with Philippe Leroy; The Protagonists (1968); Torture Me But Kill Me with Kisses (1968), a hugely popular comedy; and The Archangel (1969) with Vittorio Gassman.