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Hirajōshi scale, or hira-choshi (Japanese: 平調子, Hepburn: hirachōshi, chōshi = tuning and hira = even, level, tranquil, standard or regular) is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the koto. [1] "The hirajoshi, kumoijoshi, and kokinjoshi 'scales' are Western derivations of the koto tunings of ...
Hirajoshi scale on C. ... A free Android app with scales & building chords for the scales; A Study Of Scales This page was last edited on 2 February 2025 ...
A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
Guitar tablature is used for acoustic and electric guitar (typically with 6 strings). A modified guitar tablature with four strings is used for bass guitar. Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites.
This media depicts a musical scale outside of a specific musical context. Scales, consisting of an ordering outside of time by pitch class (no " distinctiveness "), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions.
On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and response ear training dictations, either alone or in ...
The Ambassel scale. The Ambassel scale (Amharic: አምባሳል ቅኝት) is a pentatonic scale widely used in the Gonder and Wollo regions of Ethiopia.. The notes of the scale (from C) are C, Db, F, G and Ab.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]