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Friedrich Cerha, Malinconia for Baritone and Trombone (2007) Ikuma Dan, Three Letters for Trombone and Harp (1999) Iancu Dumitrescu, Nimbus I-III for Trombone(s), Percussion and Tape (1984) Peter Maxwell Davies, Aloha Hunter for Trombone and Clarinet (1966) David Del Tredici, Dynamic Duo for Bass Trombone and Violin (2013)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The basic setup is shown here, with names of open notes for each partial on the left and rhythm or rhythmic notation above. The bottom line, indicating first-partial pedal tones, is not usually used by trumpet or horn. The seventh partial (B♭ on trumpet) is flat relative to equal temperament, and thus its use is also avoided.
The note E 1 (or the lowest E on a standard 88-key piano keyboard) is the lowest attainable note on a 9-foot (2.7 m) B ♭ tenor trombone, requiring a full 7 feet 4 inches (2.24 m) of tubing. On trombones without an F attachment, there is a gap between B ♭ 1 (the fundamental in first position) and E 2 (the first harmonic in seventh position).
The alto trombone appears in the earliest written music for trombone, where composers wrote alto, tenor, and bass parts to bolster the corresponding voices in church liturgical music. [1] Although the parts were notated in alto, tenor and bass clefs, historically the clef has not always been a reliable indicator of which type of trombone was ...
Notes below B ♭ are called for only rarely as they "become increasingly difficult to produce and insecure in quality" with A ♭ 1 or G1 being the bottom limit for most trombonists. [1] Pedal tones are called for occasionally in advanced brass repertoire, particularly in that of the trombone and especially the bass trombone.
The shape note system is found in some church hymnals, sheet music, and song books, especially in the Southern United States. Instead of the customary elliptical note head, note heads of various shapes are used to show the position of the note on the major scale. The Sacred Harp is one of the most popular tune books using shape notes.
Music for bass clef instruments, such as the cello, bassoon or trombone, use tenor clef for the high notes rather than the treble clef. Alto clef is used for the alto trombone, and for the tenor trombone parts in Russian repertoire. Bass trombone and tuba use the bass clef only. [2]