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Shams-i Tabrīzī (Persian: شمس تبریزی) or Shams al-Din Mohammad (1185–1248) was a Persian [1] Shafi'ite [1] poet, [2] who is credited as the spiritual instructor of Mewlānā Jalāl ad-Dīn Muhammad Balkhi, also known as Rumi and is referenced with great reverence in Rumi's poetic collection, in particular Diwan-i Shams-i Tabrīzī.
He went out, never to be seen again. It is rumoured that Shams was murdered with the connivance of Rumi's son, 'Ala' ud-Din; if so, Shams indeed gave his head for the privilege of mystical friendship. [56] Rumi's love for, and his bereavement at the death of, Shams found their expression in an outpouring of lyric poems, Divan-e Shams-e Tabrizi ...
Written in the aftermath of the disappearance of Rumi’s beloved spiritual teacher, Shams-i Tabrizi, the Divan is dedicated to Shams and contains many verses praising him and lamenting his disappearance. [4] Although not a didactic work, the Divan still explores deep philosophical themes, particularly those of love and longing. [5]
Reynold Alleyne Nicholson, FBA (18 August 1868 – 27 August 1945), or R. A. Nicholson, was an eminent English orientalist, scholar of both Islamic literature and Islamic mysticism, and widely regarded as one of the greatest Rumi (Mevlana or Mawlana) scholars and translators in the English language.
Rumi: The Musical is a musical with music and lyrics by Dana Al Fardan and Nadim Naaman and a book by Naaman. [1] The show is based on a story by Evren Sharma and follows the relationship 13th century poet Rumi and his mentor Shams Tabrizi .
This book is about a thirteenth century poet, Shams Tabrizi, who was the spiritual teacher to Rumi. [10] The book presents Shams's Forty Love Rules at different intervals. [12] [13] Sweet Blasphemy was structured in a way to focus on the five elements of nature: Water, Air, Earth, Fire and Void.
The New York Attorney General said at the time “this settlement marked a stunning reversal by President Trump, who for years refused to compensate the victims of his sham university. My office ...
The main narrative action ends with the death of Shams Tabrizi and Rumi's coming-to-terms with it in his work and life. This is thought to have taken place historically in 1248. The opera heavily features poetry from the librettist Dante Micheaux, as well as Rumi's work in English translation. There is some use of spoken word rather than singing.