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Image credits: surrealism.world Salvador Dali is one of the most well-known and influential surrealist artists to have ever lived. He created both precise and unusual images that challenged the ...
The Persistence of Memory (Catalan: La persistència de la memòria, Spanish: La persistencia de la memoria) is a 1931 painting by artist Salvador Dalí and one of the most recognizable works of Surrealism.
Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol [b] [a] gcYC (11 May 1904 – 23 January 1989), known as Salvador Dalí (/ ˈ d ɑː l i, d ɑː ˈ l iː / DAH-lee, dah-LEE; [2] Catalan: [səlβəˈðo ðəˈli]; Spanish: [salβaˈðoɾ ðaˈli]), [c] was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and ...
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
The painting's short original title is Celebes, according to inscriptions on the front and back of the canvas. [1] Ernst painted Celebes in Cologne in 1921. The French poet and Surrealist Paul Éluard visited Ernst that year and purchased the painting and took it back to Paris. Éluard would buy other of Ernst's paintings, and Ernst painted murals for Éluard's house in Eaubonne.
René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. [1]
From a steam train shooting out of a fireplace to the nude back of a woman transformed into a violin, the style still has the power to intrigue.