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The leading workshop carrying out the process in Paris in the eighteenth century was that of Jean-Louis Hacquin (d. 1783), who transferred many works in the French royal collection. Transfers from the workshop have sometimes been found to have a layer of pieces of silk, or of sheets of paper between the paint layer and the new canvas.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
Painting carts and other tools may be used, including a pallet jack or furniture dolly for moving a panel within a crate. The Metropolitan Museum of Art , the Canadian Conservation Institute , and the Australian Institute for the Conservation of Cultural Material provide general guidelines on proper care and handling.
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Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and there are Victorian versions with hand-touched polychrome colouring on simple outline transfers. In the United States of America, the pattern is commonly referred to as Blue Willow.
The willow pattern was, in turn, copied by Chinese potters, but with the decoration hand painted rather than transfer-printed. A blue and white Staffordshire Willow pattern plate Blue and white faience with Chinese scene, Nevers faience , France, 1680-1700.