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Coe Fen and Sheep's Green form a natural area that was once important for the commercial activity of Cambridge. [1] There were up to three watermills in the area. The land between the artificially raised banks of the watercourses was liable to flooding and thus only suitable for grazing (cows on Coe Fen, sheep on Sheep's Green, hence the names).
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony , a fast harmonic rhythm (chords change frequently), with or without refrain or chorus.
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A chorale cantata is a church cantata based on a single hymn, both its text and tune. Bach was not the first to compose them, but for his 1724-25 second Leipzig cantata cycle he developed a specific format: in this format the opening movement is a chorale fantasia on the first stanza of the hymn, with the hymn tune appearing as a cantus firmus.
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: four-part harmony; SATB vocal forces; pre-existing hymn tune allotted to the soprano part; text treatment: homophonic; no repetitions (i.e., each syllable of the hymn text is sung ...
The text is metrically adapted to the then new British royal anthem and was initially sung with its tune. [5]Felice Giardini after Giovanni Battista Cipriani. Presently, "Come Thou Almighty King" is usually sung to the tune "Italian Hymn" (also called "Moscow" or "Trinity"), which was written as a musical setting for this hymn by Felice Giardini at the request of Countess Selina Shirley.
It was first published in Hymns and Psalms in 1844 with seven verses under the title "After Harvest". [1] "Come, Ye Thankful People, Come" was set to George J. Elvey's hymn tune St. George's, Windsor in 1858. [3] In 1865, Alford revised the hymn, and it was republished in his Poetical Works with only four verses.
In the United Kingdom, the hymn is also often set to the tune "Normandy" by C Bost. [6] The "Nettleton" tune is used extensively in partial or full quotation by the American composer Charles Ives, in such works as the First String Quartet and the piano quintet and song "The Innate". The "Nettleton" tune is also quoted at the end of "My Trundle ...