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Serenade in C major; Sextet (Dohnányi) Six moments musicaux (Schubert) Solace (Joplin) Sonata for Two Violins (Prokofiev) Sonata in C major for keyboard four-hands, K. 19d; Sonata in C major for piano four-hands, D 812 (Schubert) Sonata in C major for piano four-hands, K. 521; Sri Lanka Matha; Ständchen, D 889 (Schubert) State Anthem of the ...
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Download QR code; Print/export Download as PDF; Printable version; In other projects ... Compositions in F major (1 C, 194 P) Compositions in F minor (1 C, 89 P)
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
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For example, the secondary triad on the sixth degree [submediant] of the scale of C major, a-c-e, or rather c-e-a, is a Tonic 'parallel,' and has a Tonic significance, because the chord represents the C major 'klang,' into which the foreign note a is introduced.
The first four bars of Bach's Prelude in C-sharp Major, BWV 848. The prelude is a lively 2-part texture, using a series of broken chords which swap between the hands. It is in a fast 3/8 time signature and is made up largely of semiquavers.
[1] In the minor mode, a common borrowed chord from the parallel major key is the Picardy third. In the major mode, the most common examples of borrowed chords are those involving the ♭, also known as the lowered sixth scale degree. These chords are shown below, in the key of C major. [8]