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A Bolex History: Cameras, Projectors and Accessories. A2 Time Based Graphics. ISBN 978-0-9533075-0-0. Alden, Andrew Vivian (1998). Bolex Bible: Everything You Ever Wanted to Know But Were Afraid to Ask : an Essential Guide to Buying and Using Bolex H16 Cameras. A2 Time Based Graphics. ISBN 978-0-9533075-1-7. Alden, Andrew Vivian (2001).
Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
The Digital Bolex is the only digital cinema camera with a native C mount, a nod to the original Bolex 16mm film cameras. The Digital Bolex was the first-announced camera aimed at the consumer market to offer a 2K recording resolution, [23] however competitor Blackmagic Design started shipping its Blackmagic Cinema Camera (announced a month ...
He was an inventor of movie cameras. [1] The brand name Bolex comes from his name. He was also instrumental in the initial design of the Alpa-Reflex Camera 35mm single-lens reflex camera that later was developed into the Alpa cameras.
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Kiev 16Ucine manual Kiev 16Ucine camera body Detail of Kiev 16Ucine lens mount Kiev 16Ucine with electric drive Internal mechanisms of the Kiev 16Ucine Oiled gears of the Kiev 16Ucine Kiev 16Ucine camera in operation. The Kiev 16U and 16UE series cine cameras are Soviet cameras made by Kiev that were made at the Automation Plant named after G.I ...
An Arriflex 16SR camera 16 mm camera. The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975.This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format.
These cameras do not require a video capture card because they work using a digital signal which can be saved directly to a computer. The signal is compressed 5:1, but DVD quality can be achieved with more compression (MPEG-2 is standard for DVD-video, and has a higher compression ratio than 5:1, with a slightly lower video quality than 5:1 at best, and is adjustable for the amount of space to ...