Search results
Results From The WOW.Com Content Network
On 13–18 August 1974, Bowie recorded "Can You Hear Me?" at Sigma Sound Studio in Philadelphia for Young Americans. [3] [5] In August 1975, he told Anthony O'Grady, in an interview for New Musical Express: "'Can You Hear Me' was written for somebody but I'm not telling you who it is. That is a real love song. I kid you not." [2]
and "Somebody Up There Likes Me". Visconti, who believed the album was completely finished, returned to London to record string arrangements for "Can You Hear Me", "Win" and "It's Gonna Be Me" at AIR Studios, [25] while Bowie remained in New York, working on separate mixing with in-house engineer Harry Maslin. [1] [26]
For Bowie himself, the Duke was "a nasty character indeed". [21] The lyrics themselves contain very cryptic messages and direct references, including to the 13th century Jewish mystical system known as the Kabbalah and gnosticism. [13] Bowie would later claim in 1997: "All the references within ["Station to Station"] have to do with the Kabbalah."
The song opens with acoustic Asus2 and D9 chords. This repeats until the song enters the main structure, a new beat with guitars and harmonica. [4] This part of the song mainly switches between C and F, but occasionally uses other chords as well. [5] After the lyrics finish, the music continues for about two minutes before ending. [4]
You can find instant answers on our AOL Mail help page. Should you need additional assistance we have experts available around the clock at 800-730-2563. Should you need additional assistance we have experts available around the clock at 800-730-2563.
Can You Hear Me? may refer to: "Can You Hear Me?" (David Bowie song), 1974 "Can You Hear Me" (Enrique Iglesias song), 2008 "Can You Hear Me?" (Evermore song), 2009 "Can You Hear Me?", a song by Charli XCX from XCX World
"Stay" is a song by the English musician David Bowie, released on his 1976 album Station to Station. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. . Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on percussi
While there is debate as to whether the tribute to Bob Dylan is a eulogy or a "harangue", [1] Bowie invokes Dylan-esque musical progressions in "Song for Bob Dylan." The song is in A major and the "Dylanesque, though neither passively imitative nor parodistic" [6] coda is described as "attain[ing] ectasy when...electric guitar weaves tipsy arabesques over broken chord pulses on two acoustic ...