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Patricia C. McKissack (née Carwell; August 9, 1944 – April 7, 2017) was a prolific African-American children's writer. [1] She was the author of more than 100 books, including Dear America books A Picture of Freedom: The Diary of Clotee, a Slave Girl; Color Me Dark: The Diary of Nellie Lee Love, The Great Migration North; and Look to the Hills: The Diary of Lozette Moreau, a French Slave Girl.
Nzingha: Warrior Queen of Matamba, Angola, Africa, 1595 is a 2000 book by Patricia McKissack about Queen Anna Nzinga as a girl told through fictitious diary entries based on real historical events. It is part of the book series The Royal Diaries .
Let My People Go: Bible Stories Told by a Freeman of Color is a 1998 book by Patricia McKissack.Set in 19th century South Carolina, it is about a freed slave, Price Jeffries, who uses Bible stories from the Old Testament to answer questions that his daughter, Charlotte, poses about the things she sees around her.
The Clone Codes is a 2010 science fiction novel by American writers Patricia and Fredrick McKissack.It is about a girl, Leanna, who lives in 22nd century America where human clones and cyborgs are treated like second-class citizens, and what happens when she discovers that her parents are activists and that she is a clone.
Printable version; In other projects Wikidata item; ... Pages in category "Books by Patricia McKissack" The following 39 pages are in this category, out of 39 total.
The Honest-to-Goodness Truth is a 2000 picture book written by Patricia McKissack and illustrated by Giselle Potter. It is about a girl, Libby Louise, who decides to only tell the truth, the problems this causes, and her eventual understanding about the need for empathy and kindness in some situations.
Cyborg: The Second Book of the Clone Codes is a 2011 book by Patricia and Fredrick McKissack.It is the second book in the Clone Codes trilogy and is about Houston Ye, a teen cyborg who, with Leanna (a girl who discovered she is a clone in the first book, The Clone Codes), attempt to obtain civil rights for themselves.
Rendered in acrylic on board, Thompson's remarkably realistic paintings are charged with emotion and masterfully tie together the book's diverse contents." [ 1 ] Kirkus Reviews , on the other hand, wrote "The McKissacks .. have written a strangely romantic view of a pre-emancipation Christmas."