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Horror is often divided into the sub-genres of psychological horror and supernatural horror. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length ... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". [1]
Colloquially, the term "ghost story" can refer to any kind of scary story. In a narrower sense, the ghost story has been developed as a short story format, within genre fiction . It is a form of supernatural fiction and specifically of weird fiction , and is often a horror story .
Gary Crawford (1986) "Criticism" in J. Sullivan (ed) The Penguin Encyclopedia of Horror and the Supernatural. Ann Radcliffe (1826) "On the Supernatural in Poetry" in The New Monthly Magazine 7, 1826, pp 145–52. Devendra Varma (1966) The Gothic Flame. New York: Russell and Russell. Gina Wisker (2005) Horror Fiction: An Introduction. New York ...
In many cases, and in a similar way as the overlapping genre of psychological thriller, psychological horror may deploy an unreliable narrator or imply that aspects of the story are being perceived inaccurately by a protagonist, thus confusing or unsettling the audience and setting up an ominous or disturbing overarching tone. In other cases ...
Theatrical release poster for the American horror film The Black Cat (1934). In films and television series, Psychological horror generally differ from traditional horrors, where the source of the fear is typically something material, such as grotesque or horrifying creatures, monsters, serial killers, or aliens, [1] as well as the splatter and slasher film genres, which derives its ...
Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting. The name refers to Gothic architecture of the European Middle Ages , which was characteristic of the settings of early Gothic novels.
Horror Movie is the most effective balancing of the two since the author’s landmark A Head Full of Ghosts. A retrospective arc details the making of a cursed film in the ‘90s, while in the ...
The Dictionary of Film Studies defines the horror film as representing “disturbing and dark subject matter, seeking to elicit responses of fear, terror, disgust, shock, suspense, and, of course, horror from their viewers.” [2] In the chapter The American Nightmare: Horror in the 70s from Hollywood from Vietnam to Reagan (2002), film critic Robin Wood declared that the commonality between ...