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The Alexamenos graffito. The Alexamenos graffito (known also as the graffito blasfemo, or blasphemous graffito) [1]: 393 is a piece of Roman graffiti scratched in plaster on the wall of a room near the Palatine Hill in Rome, Italy, which has now been removed and is in the Palatine Museum. [2]
The scene is a combination of the traditional iconography of the Nativity of Jesus in art and that of the Madonna of Humility, with Mary portrayed in the foreground while sitting on a lawn. In the background are also Joseph (left, sleeping in order to underline his marginal role in the birth of Jesus), the hut with the donkey and the ox and ...
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus , celebrated at Christmas , are based on the narratives in the Bible, in the Gospels of Matthew and Luke , and further elaborated by written, oral and artistic tradition.
Jesus rides into the city on a donkey on Palm Sunday: top left, outside the city gatehouse 2. Jesus driving the money-changers out of the Temple: to the right of the entry of Jesus, under a double arch 3. Judas betrays Jesus to the High Priests: down and to the left from the temple scene, in a narrow candle-lit archway 4. The Last Supper
Onolatry is the supposed worship of the donkey. In Imperial Rome , the charge of onolatry was used to taunt the Jews and Jewish Christians. [ 1 ] The association of Jews with donkeys was a common feature of Hellenic as well as Latin ethnographic and historical writings, and included accusations of worshipping a golden donkey head and even ...
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...