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"Everything to Me" is a song by American recording artist Monica. It was written by fellow singer Jazmine Sullivan and co-produced by Missy Elliott and Cainon Lamb for her sixth studio album Still Standing (2010), incorporating a sample of the 1981 recording "Silly" as penned by Fritz Baskett, Clarence McDonald, and June Deniece Williams and performed by Deniece Williams.
The original version of "Everywhere" was written by Branch alone, while Shanks, who produced the track, provided additional writing for the final recording. A vocally fervent love song, the track is written in common time with a moderate tempo of 98 beats per minute and was composed in the key of D ♭ major.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single " I'll Be There for You/You're All I Need to Get By " from Method Man and Mary J. Blige .
The song was written by Phil Wickham and Steven Furtick, with David Brymer and Ryan Hall being credited as songwriters on account of the sampling of the song "Worthy of It All." "Worthy of My Song (Worthy of It All)" debuted at number 27 on the US Hot Christian Songs chart, [ 3 ] and at number 11 on the Hot Gospel Songs chart.
"You to Me Are Everything" is a song by British soul group the Real Thing, released as a single in 1976. Written by Ken Gold and Michael Denne and produced by Gold, [ 1 ] "You to Me Are Everything" was the Real Thing's sole number-one single on the UK Singles Chart , spending three weeks at the top in July 1976. [ 2 ]
Cash McCall (born Maurice Dollison Jr.; January 28, 1941 – April 20, 2019) was an American electric blues guitarist, singer and songwriter.He was best known for his 1966 R&B hit "When You Wake Up".
"You Mean Everything to Me" is a song co-written and sung by Neil Sedaka. Background. The song bears similarity to Paul Anka's "You Are My Destiny", ...
A contemporary R&B album, New Life features upbeat pop songs, [14] hip hop-textured midtempo tracks, [14] and anthemic ballads. [15] Along with contemporary urban sounds, its music incorporates soft reggae elements, [16] muted gospel, [17] and, particularly in Elliott's songs, heavy soul influences that fit with the quiet storm radio format. [18]