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This is a list of early pre-recorded sound and/or talking movies produced, co-produced, and/or distributed by Warner Bros. and its subsidiary First National (FN) for the years 1927–1931. Synchronized Sound Films
Stephen Stanton, American voice actor and visual effects artist (voice of Grand Moff Tarkin in the Star Wars franchise, AP-5 and Ben Kenobi in Star Wars Rebels, Sleepy in The 7D, Tomax and Xamot in G.I. Joe: Renegades, Pigeon Man in Hey Arnold!: The Jungle Movie, Smitty and Needleman in Monsters at Work, Pete Puma in Looney Tunes Cartoons).
Monty Python and the Holy Grail is a 1975 British comedy film based on the Arthurian legend, written and performed by the Monty Python comedy group (Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin) and directed by Gilliam and Jones in their feature directorial debuts.
A injured veteran discovers the healing power of therapy dogs and helps the shelter's owner save it from shutting down.
This is a list of early pre-recorded sound and part or full talking feature films made in the United States and Europe during the transition from silent film to sound, between 1926 and 1929. [1] During this time a variety of recording systems were used, including sound on film formats such as Movietone and RCA Photophone , as well as sound on ...
Dykstra brought together a small team of college students, artists, and engineers and set them up in a warehouse in Van Nuys, California. [12] After seeing the map for the location was zoned as light industrial, Lucas named the group Industrial Light and Magic, [13] which became the Special Visual Effects department on Star Wars.
David W. Allen (October 22, 1944 – August 16, 1999) was an American film and television stop motion model (puppet) animator.. Allen provided special effects on such productions as The Howling, Twilight Zone: The Movie, Young Sherlock Holmes (for which he earned an Academy Award for Best Visual Effects nomination), Willow and Honey, I Shrunk the Kids.
It was pitched by Tim Cahill in the late 1990s [22] Tim Cahill notably found the sequences where Bugs and Daffy dressed up in drag to fool their adversaries amusing. Due to this, he thought that a film based on that concept would be interesting. [23] After the success of Space Jam, Warner Bros started to become open to more Looney Tunes movies ...