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Cemar Pottery, like Bauer, was based in Los Angeles, California. [2] Cemar was part of the larger boom in California pottery during the World War II era when pottery imports from Asia were restricted or banned; a variety of potteries operated in California to keep up with domestic demand. Cemar was one of 13 members of the California Pottery ...
Google Catalog search was first conceptualized in December, 2001 as a search function on the web only. This was a free Google service. Catalog search was a major digitization project for Google, as thousands of merchant catalogs were scanned and made accessible to the public.
Keeler was the son of Burr Bradley Keeler (b. Aug. 1, 1844), a Rochester, New York-born real estate owner; grandson of Rufus Keeler and Phoebe Valeau; great-grandson of Josiah Keeler and Betsey Bradley; and a descendant of Sons of the American Revolution-registered Isaac Keeler (b.1715), Lieutenant of the 5th Connecticut Regiment, and his wife, Hannah Stebbins; Josiah Keeler (b. Jan. 22, 1741 ...
Peter Voulkos, Noodle. stoneware sculpture, 1996, Metropolitan Museum of Art The California Clay Movement (or American Clay Revolution) was a school of ceramic art that emerged in California in the 1950s. [1]
A short-title catalogue (or catalog) is a bibliographical resource that lists printed items in an abbreviated fashion, recording the most important words of their titles. The term is commonly encountered in the context of early modern books, which frequently have lengthy, descriptive titles on their title pages .
Peterson studied Native American pottery and wrote the definitive biography "Lucy M. Lewis; American Indian Potter", in 1984. Her "Pottery by American Indian Women: The Legacy of Generations" was an exhibition catalog for the 1997 show at the National Museum of Women in the Arts in Washington, D.C., that she had also curated.
Antonio Prieto (1912 – March 11, 1967) was an American ceramic artist and art professor at Mills College in Oakland, California.He was instrumental in developing an important ceramics collection for the Mills College Art Museum.
Werra and Weser slipwares were a lead-glazed earthenware pottery contemporary with but distinct from the opaque tin-glazed wares such as Delft, Majolica and Faenza.. Lead glaze provided a transparent or near-transparent glaze through which the body of the clay remained visible.