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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Viewed as out-of-date and emblematic of the excesses of the 19th century, Second Empire architecture was derided in the 20th century, particularly starting in the 1930s.The destruction of such notable buildings as Toronto's forty-five-year old Customs House (1876–1919) exemplify the desire to transition away from French architectural styles.
In the mid-19th century, Lavers, Barraud and Westlake were among many young designers who responded to the growing market for stained glass windows. The partnership initially comprised Nathaniel Wood Lavers (1828–1911) and Francis Philip Barraud (1824–1900). [note 1] Both were originally employed at the workshops of James Powell and Sons.
The Birge House is situated in the middle of a block featuring late 19th and early 20th century-style homes, including American Craftsman and Tudor Revival architecture. [2] Despite an attempt in the 2000s to list the Edison neighborhood and other historic homes on the register, as of 2024 [update] , the Birge House and the Hubbard Bungalow are ...
The late 20th century has seen a change in the faithfulness of emulation of the style, since in a modern development it is common to have only a few basic floor plans for buildings, these combined with variations in interior surface treatment and in the exterior in rooflines and setbacks to provide a visual variety to the street view.
Streamline Moderne is an international style of Art Deco architecture and design that emerged in the 1930s. Inspired by aerodynamic design, it emphasized curving forms, long horizontal lines, and sometimes nautical elements.