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The Villa of Livia (Latin: Ad Gallinas Albas) is an ancient Roman villa at Prima Porta, 12 kilometres (7.5 mi) north of Rome, Italy, along the Via Flaminia.It may have been part of Livia Drusilla's dowry that she brought when she married Octavian (later called the emperor Augustus), her second husband, in 39 BC.
Frescoes, stuccoes and mosaics, including those from the villa of Livia, wife of Augustus, at Prima Porta on the Via Flaminia. It begins with the summer triclinium of Livia's Villa ad Gallinas Albas. The frescoes, discovered in 1863 and dating back to the 1st century BC, show a luscious garden with ornamental plants and pomegranate trees.
The second floor houses the frescoes from the underground nymphaeum of Livia's villa "ad Gallinas Albas," a locality near Prima Porta, which belonged to Livia Drusilla, the empress wife of Augustus: a trompe-l'œil depicting a garden with fruit trees and birds on all four sides.
The Villa of the Mysteries (Italian: Villa dei Misteri) is a well-preserved suburban ancient Roman villa on the outskirts of Pompeii, southern Italy. It is famous for the series of exquisite frescos in Room 5, which are usually interpreted as showing the initiation of a bride into a Greco-Roman mystery cult .
Buried and unseen for nearly 2,000 years, a series of striking paintings showing Helen of Troy and other Greek heroes has been uncovered in the ruined Roman town of Pompeii.
Prima Porta is the 58th zona of Rome, identified by the initials Z. LVIII.The name Prima Porta (First Door) came from an arch of the aqueduct that brought water to the Villa of Livia, which formed over Via Flaminia a sort of gateway which travellers saw as the first indication of having reached Rome (Piperno).
The Shoah Museum in Rome has acquired a piece by reserved contemporary pop artist aleXsandro Palombo after it was defaced in an apparent act of antisemitism.. The mural, which depicts Liliana ...
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...