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The origins of fūrin are believed to be from the Chinese Tang Dynasty when metal wind chimes were hung in bamboo forests and used to tell fortunes. [1] [3] The word fūrin was first used in Japan during the Heian period when they were hung from eaves, particularly at Buddhist temples, as talismans to ward off evil spirits. [1]
Japanese glass wind bells known as fūrin (風鈴) have been produced since the Edo period, [4] and those at Mizusawa Station are one of the 100 Soundscapes of Japan. Wind chimes are thought to be good luck in parts of Asia and are used in Feng Shui. Wind chimes started to become modernized around 1100 C.E. after the Chinese began to cast bells.
He began to produce work incorporating elements from his study of the Japanese folk arts: wind chimes and traditional carp banners. [5] Expo '70, a World's Fair in Tokyo, was a major event on the arts scene in Japan. Shingū was one of eight Japanese sculptors chosen to represent the nation.
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
Kyohei Fujita (藤田 喬平, Fujita Kyōhei, 1921 – September 18, 2004) was a Japanese glass artist. He received training early in his career as a worker in the factory of Toshichi Iwata and his early work shows Iwata's influence in style and materials. Fujita later matured as a glass artist and developed his own, unique style.
Toshichi Iwata (岩田 藤七, Iwata Tōshichi; 12 March 1893– 23 August 1980) was a Japanese glass artist considered to be the founding father of modern art glass making in Japan. Active from 1927 until his death, he created unique studio works as well as production pieces.
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