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Two drawings taking up the theme of the painting are attributed to Poussin. One is kept in the British Museum. [5] Although very damaged, it already presents the main lines of the painting with a few variations: the soldier in the center does not extend his hand to the sky but holds the hand of Germanicus, thus remaining closer to the text of ...
In 1774 he made nine paintings including grisaille bas-reliefs representing The Death of Germanicus. Infant Bacchanal , grisaille Sauvage was accepted into the Académie royale de peinture et de sculpture after he produced a trompe l'oeil painting of a round table with an embroidered cloth on which are placed a statue of a child, a helmet ...
In 1627, Poussin painted The Death of Germanicus (Minneapolis Institute of Arts) for Cardinal Barberini. The painting's erudite use of ancient textual and visual sources (the Histories of Tacitus and the Meleager sarcophagus), stoic restraint and pictorial clarity established Poussin's reputation as a major artist.
This classicising tendency went on to make an inestimable impact on Western art, influencing many of the greatest painters of subsequent generations, from Jacques-Louis David and Ingres to Cézanne and Picasso; even today artists continue to be inspired by Poussin’s work and ideas about painting. In treating themes of death and dying, Poussin ...
The following other wikis use this file: Usage on als.wikipedia.org Nicolas Poussin; Usage on el.wikipedia.org Γερμανικός; Usage on es.wikipedia.org
As a famous general, he was widely popular and regarded as the ideal Roman long after his death. [1] To the Roman people, Germanicus was the Roman equivalent of Alexander the Great due to the nature of his death at a young age, his virtuous character, his dashing physique, and his military renown. [2]
Among his historical paintings are: The Farewell of Coriolanus (Czernin Gallery, Vienna), Allegory on the Peace of Vienna (1801), The Death of Germanicus (1789), The Assassination of Caesar, and Bathsheba (Budapest Gallery).
The Wife of Arminius Brought Captive to Germanicus is a 1773 history painting by the Anglo-American artist Benjamin West. [ 1 ] [ 2 ] It depicts a scene from the Roman Empire 's military campaign in Germania in the early first century , loosely based on the writings of the historian Tacitus .