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It is the national dance of Laos, and versions of it exist throughout the Lao-speaking region and even Cambodia, where it is known as ramvong. A slow and graceful couples dance, the men form an inner circle and the women an outer circle, with couples dancing around each other while moving in their respective circles.
The circular dance style is claimed as a traditional dance in the four countries of the region where it is often part of traditional festivities, popular celebrations and modern parties. In addition to the dominant Khmer, Lao, Malay and Thai cultures, romvong is also common among many other groups indigenous to Southeast Asia.
There are a number of folk dances which are popular with Lao Theung and Lao Sung groups, which have heavily adopted traditional Lao dance features. The Hmong perform the " fon bun kin chieng " or Hmong “New Year dance;” the Khmu have a courtship dance known as the " fon pao bang "; the Red and Black Tai have a bamboo cane dance, and the Yao ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
The dance-dramas of Laos were originally only performed for the royal court. The dance-dramas and musical accompaniment are all very similar to those of Thai and Cambodian classical dances. Lao legends of the first ruler of Lan Xang say that in addition to a large army of Khmer soldiers, he was also accompanied by many female dancers from the ...
Lam saravane [1] (Lao: ລຳສາລະວັນ, Thai: ลำสาละวัน) is a popular folksong originally from the southern province of Saravane Province of Laos, [2] but popular throughout the Lao-speaking world, including the Isan region of Thailand, [3] but it is also regarded as a traditional folksong and dance of Khmer culture.
In his Traditional Music of the Lao, Terry Miller identifies five factors which helped to produce the various genres of lam or dance in Isan: animism, Buddhism, story telling, ritual courtship, and male-female competitive folk music. One of these is Lam Phi Fa, the Phi Fa dance. [3] Lam Phi Fa, together with Lam Phuen is one of the oldest genres.
Mor lam (Lao: ໝໍລຳ; Isan: หมอลำ [mɔ̌ː lám]; Thai: หมอลำ, RTGS: mo lam, [mɔ̌ː lām]) is a traditional Lao form of song in Laos and Isan. Mor lam means 'expert song', or 'expert singer', referring to the music or artist respectively. Other romanisations used include mor lum, maw lam, maw lum, moh lam, mhor lum ...