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Conflict in literature refers to the different drives of the characters or forces involved. Conflict may be internal or external—that is, it may occur within a character's mind or between a character and exterior forces, (or point(s) of view).
A literary feud is a conflict or quarrel between well-known writers, usually conducted in public view by way of published letters, speeches, lectures, and interviews. In the book Literary Feuds, Anthony Arthur describes why readers might be interested in the conflicts between writers: "we wonder how people who so vividly describe human failure (as well as triumph) can themselves fall short of ...
In narrative, an internal conflict is the struggle occurring within a character's mind. Things such as what the character yearns for, but can't quite reach. As opposed to external conflict, in which a character is grappling some force outside of themself, such as wars or a chain-breaking off a bike, or not being able to get past a roadblock.
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These behavior patterns can lead to the solution or dissolution of a conflict in different situations. While the first-mentioned stages are anti- or confrontational in character, the last-mentioned stages represent forms of constructive conflict resolution - with consensus as the highest (to be learned) form.
Odyssey (), Alice's Adventures in Wonderland (Lewis Carroll), "Goldilocks and the Three Bears", Orpheus, The Time Machine (), Peter Rabbit (Beatrix Potter), The Hobbit (J.R.R. Tolkien), Brideshead Revisited (Evelyn Waugh), "The Rime of the Ancient Mariner" (Samuel Taylor Coleridge), Gone with the Wind (Margaret Mitchell), The Third Man, The Lion King, Back to the Future, The Lion, the Witch ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Theory of Literature is a book on literary scholarship by René Wellek, of the structuralist Prague school, and Austin Warren, a self-described "old New Critic". [1] The two met at the University of Iowa in the late 1930s, and by 1940 had begun writing the book; they wrote collaboratively, in a single voice over a period of three years.