Search results
Results From The WOW.Com Content Network
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system) Karlheinz Stockhausen. Drei Lieder for alto voice and chamber orchestra, Nr. 1/10 (1950) [11] Sonatine, for violin and piano, Nr. ⅛ (1951) [12] Igor Stravinsky, works from 1952 forward: [13] Cantata (1952)
Twelve-tone serialism first appeared in the 1920s, with antecedents predating that decade (instances of 12-note passages occur in Liszt's Faust Symphony [29] and in Bach. [30]) Schoenberg was the composer most decisively involved in devising and demonstrating the fundamentals of twelve-tone serialism, though it is clear it is not the work of ...
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).
Download as PDF; Printable version; In other projects ... Pages in category "Twelve-tone technique" The following 7 pages are in this category, out of 7 total ...
Hauer's compositional techniques are extraordinarily various and often change from one piece to the next. These range from building-block techniques to methods using a chord series that is generated out of the twelve-tone row ("Melos") to pieces employing an ordered row that is then subject to systematic permutation.
Newcater employed advanced twelve-tone techniques such as combinatoriality (where segments of a tone row create complementary sections) and invariance (preserving segments across row permutations). These methods contributed to thematic unity in his compositions, including Songs of the Inner Worlds. Despite his systematic approach, Newcater ...
In music using the twelve-tone technique, derivation is the construction of a row through segments. A derived row is a tone row whose entirety of twelve tones is constructed from a segment or portion of the whole, the generator. Anton Webern often used derived rows in his pieces. A partition is a segment created from a set through partitioning.