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English: Manga-style eye, cropped from this Wikipe-tan drawn by ja:利用者:Kasuga and from this image by User:Dulcem and User:Hikin1987. Português: Olho no estilo dos mangás, retirado deste desenho da Wikipe-tan de ja:利用者:Kasuga e desta imagem de User:Dulcem e User:Hikin1987 .
The character's eye shapes and sizes are sometimes symbolically used to represent the character. For instance, bigger eyes will usually symbolize beauty, innocence, or purity, while smaller, more narrow eyes typically represent coldness and/or evil. Completely blackened eyes (shadowed) indicates a vengeful personality or underlying deep anger.
More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available. Alternative manga; Anime; Anime-influenced animation; Anime and manga convention; Anime club; Anime music video; Bishōjo game; Boys' love; Children's anime and manga; Clamp (manga artists) Ecchi; Eiko Tanaka; Film ...
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts.
Luce has blue hair, blue eyes and pale skin, and wears a yellow rain jacket, which is colored in reference to the flag of the Vatican City as well as a symbol for "journeying through life's storms". She carries a pilgrim's staff , which represents "the pilgrimage toward eternity", and wears mud-stained boots to represent "a long and difficult ...
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Lum the Invader Girl [1] [2] (/ l ʌ m /), known in Japan simply as Lum (Japanese: ラム, Hepburn: Ramu), [3] is a fictional character and the female protagonist of Rumiko Takahashi's manga series Urusei Yatsura. [4] [5] [6] She is often believed to be the main protagonist of the series due to her iconic status.
Macoto Takahashi was born on 27 August 1934 in Sumiyoshi-ku, Osaka, as the eldest son in a family of three boys. [1] While pursuing art in high school, he was torn between the painting styles of nihonga (traditional Japanese-style painting) and yōga (Western-style painting).