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Prior to this event, the technique had been published in an issue of 391 in the poem by Tzara, dada manifesto on feeble love and bitter love under the sub-title, TO MAKE A DADAIST POEM. [5] [1] In the 1950s, painter and writer Brion Gysin more fully developed the cut-up method after accidentally rediscovering it.
The Postmodernism Generator is a computer program that automatically produces "close imitations" of postmodernist writing. It was written in 1996 by Andrew C. Bulhak of Monash University using the Dada Engine, a system for generating random text from recursive grammars. [1] A free version is also hosted online.
Tristan Tzara claimed in "How to Make a Dadaist Poem" that to create a Dadaist poem one had only to put random words in a hat and pull them out one by one. Another way Dadaism influenced postmodern literature was in the development of collage, specifically collages using elements from advertisement or illustrations from popular novels (the ...
It includes those who are generally classed into different movements, but have created some Dadaist works. A - D. Pierre Albert-Birot (22 April 1876 – 25 July 1967)
After July 1922, Marcel Janco rallied with Vinea in editing Contimporanul, which published some of Tzara's earliest poems but never offered space to any Dadaist manifesto. [104] Reportedly, the conflict between Tzara and Janco had a personal note: Janco later mentioned "some dramatic quarrels" between his colleague and him. [ 105 ]
Huelsenbeck was the editor of the Dada Almanach, and wrote Dada siegt, En Avant Dada and other Dadaist works. [3] Huelsenbeck's autobiography Memoirs of a Dada Drummer gives detailed accounts of his interactions with many key figures of the movement. Huelsenbeck's ideas fitted in with left-wing politics current at the time in Berlin.
Gino Cantarelli (1899 – 1950) was an Italian Dadaist poet and painter of the early 20th century. He was associated first with Futurism, then with Dada.He often wrote his poems in French.
Raoul Hausmann (July 12, 1886 – February 1, 1971) was an Austrian artist and writer. One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry, and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I.