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The Native Americans of California have used different mediums and forms for their traditional designs found in artifacts that express their history and culture. Some traditional art forms and archaeological evidence include basketry, painted pictographs and petroglyphs found on the walls in the caves, and effigy figurines.
[7] Aguayos are clothes woven from camelid fibers with geometric designs that Andean women wear and use for carrying babies or goods. Inca textiles. Awasaka was the most common grade of weaving produced by the Incas of all the ancient Peruvian textiles, this was the grade most commonly used in the production of Inca clothing. Awaska was made ...
Evan M. Maurer, "Determining Quality in Native American Art" in The Arts of the North American Indian: Native Traditions in Evolution, ed. Paul Anbinder, New York: Philbrook Art Center, 1986. Marian E. Rodee, Old Navajo Rugs: Their Development from 1900 to 1940, Albuquerque: University of New Mexico Press, 1983.
Plains women traditionally paint abstract, geometric designs. [2] [3] Bright colors were preferred and areas were filled with solid fields of color. Cross-hatching was a last resort used only when paint was scarce. Negative space was important and designs were discussed by women in terms of their negative space. Dots are used to break up large ...
Traditional geometric patterns on parkas were walking stories that told about legendary people, identified regions, and indicated families. [64] One technique was to reproduce designs used in Yup'ik clothing and crafts in a set of geometric manipulatives to assist in teaching mathematical patterns, fractions, simple algebra, and tessellations. [65]
Acoma pottery, beginning over 1,000 years ago, traditional designs include thunderbirds, geometric patterns, and rainbows. [16] The pottery is made of fine local clay found on the pueblo to create the distinctively thin-walled pottery. The pottery is made in white and black and polychrome colors.
A parfleche is a Native American rawhide container that is embellished by painting, incising, or both. Envelope-shaped parfleches have historically been used to contain items such as household tools or foods, such as dried meat or pemmican. They were commonly made in pairs and hung from saddles. Their designs may have once served as maps. [2]
One of her famous patterns, the migration pattern, represented the migration of the Hopi people, with feather and bird-claw motifs. An example is a 1930s vase in the collection of the Smithsonian Institution's National Museum of the American Indian in Washington, D.C. [ 18 ] Her work is distinguished by the shapes of the pottery and the designs.