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Its relative minor is E-flat minor (or enharmonically D-sharp minor). Its parallel minor, G-flat minor, is usually replaced by F-sharp minor, since G-flat minor's two double-flats make it generally impractical to use. Its direct enharmonic equivalent, F-sharp major, contains six sharps. The G-flat major scale is:
F Sharp notes. F ♯ (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to sol bémol or G ♭ (G-flat) in 12 equal temperament. However, in other temperaments, such as quarter-comma meantone, it is not the same as G ♭.
Although the enharmonic key of A-flat major is preferred because A-flat major has only four flats as opposed to G-sharp major's eight sharps (including the F), G-sharp major appears as a secondary key area in several works in sharp keys, most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1.
Two full steps down from standard tuning. Used by Vildhjarta (G-C-F-A♯-D♯-G♯-c) and Luc Lemay of Gorguts [69] F ♯ /G ♭ tuning – F ♯ '-B'-E-A-d-f ♯-b / G ♭ '-B'-E-A-d-g ♭-b Two and one half steps down from standard. Used by Danish band Mnemic in the albums Passenger, Sons of the System, and Mnemesis.
F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from Nabucco, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata.
However, in common guitar tabs notation, a minor key is designated with a lowercase "m". For example, A-minor is "Am" and D-sharp minor is "D ♯ m"). The small interval between equivalent notes, such as F-sharp and G-flat, is the Pythagorean comma .
Starting the major scale pattern (whole step, whole, half, whole, whole, whole, half) on C requires no sharps or flats. Proceeding clockwise in the diagram starts the scale a fifth higher, on G. Starting on G requires one sharp, F ♯, to form a major scale. Starting another fifth higher, on D, requires F ♯ and C ♯. This pattern continues ...
F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats. For example, in the middle section of his seventh Humoresque in G-flat major , Antonín Dvořák switches from G-flat major to F-sharp minor for the middle ...