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"(If Loving You Is Wrong) I Don't Want to Be Right" is a song written by Stax Records songwriters Homer Banks, Carl Hampton, and Raymond Jackson. Originally written for The Emotions , it has been performed by many singers, most notably by Luther Ingram , whose original recording [ 1 ] topped the R&B chart for four weeks and rose to number 3 on ...
Ingram is best known for the hit, "(If Loving You Is Wrong) I Don't Want to Be Right", written by Homer Banks, Carl Hampton and Raymond Jackson. [2] The song reached number one on Billboard ' s R&B chart and peaked at number three on that publication's Hot 100 chart in the summer of 1972. [ 2 ]
If, instead of loving me, you love the person I love, I can't blame you, because you are merely taking advantage of my love. (For possible readings of lines 7–8, see below). Yet I forgive you, even though you steal the little that I have, and even though it is well known that an injury inflicted by a supposed lover is far worse than an insult ...
Raymond Earl Jackson (September 11, 1941 – November 10, 1972) [1] was an American rhythm and blues songwriter, guitarist and record producer. His most successful songs, mostly written at Stax Records in the late 1960s and early 1970s, were "Who's Making Love", co-written with Homer Banks and Bettye Crutcher; "(If Loving You Is Wrong) I Don't Want to Be Right", and "If You're Ready (Come Go ...
It includes the hit singles, "(If Loving You Is Wrong) I Don't Want to Be Right", "The Rap" and "I'm Through Trying to Prove My Love to You." A concept album, Caught Up follows the story of a woman having an affair with a married man. Side A features Jackson singing from the mistress' point of view and Side B is told from the wife's point of view.
Exactly two weeks after saying goodbye in that insane series finale, the cast of Tyler Perry’s If Loving You Is Wrong reunited on Tuesday for an OWN special that promised to address fans ...
"I've Been Loving You Too Long" (originally "I've Been Loving You Too Long (To Stop Now)") is a soul music ballad written by Otis Redding and Jerry Butler. [2] Considered by music critics and writers to be one of Redding's finest performances and a soul classic, it is a slow, emotional piece with Redding's pleading vocals backed by producer ...
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