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Black and red ware (BRW) is a South Asian earthenware, associated with the neolithic phase, Harappa, Bronze Age India, Iron Age India, the megalithic and the early historical period. [1] Although it is sometimes called an archaeological culture , the spread in space and time and the differences in style and make are such that the ware must have ...
The art is much more pronounced and attached to Meena community of Hadoti area. The ground is prepared with cow dung mixed with rati, a local clay, and red ochre. Lime or chalk powder is used for making the motif. Tools employed are a piece of cotton, a tuft of hair, or a rudimentary brush made out of a date stick.
In the kolam patterns, many designs are derived from magical motifs and abstract designs blended with philosophical and religious motifs which have been mingled together. [5] Motifs may include fish, birds, and other animal images to symbolise the unity of man and beast. The sun, moon and other zodiac symbols are also used. [6]
India shares land borders with six sovereign nations. The state's Ministry of Home Affairs also recognizes a 106 kilometres (66 mi) land border with a seventh nation, Afghanistan, as part of its claim on the Kashmir region; however, this is disputed and the region bordering Afghanistan has been administered by Pakistan as part of Gilgit-Baltistan since 1947 (see Durand Line).
Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchsticks. The paint is created using natural dyes and pigments such as ochre and lampblack are used for reddish brown and black respectively. [3] The paintings are characterized by their eye-catching geometrical patterns.
4.4 Black and red ware culture (1450 – 1200 BCE) in northern and central Indian subcontinent 4.5 Painted Grey Ware (1200 – 600 BCE) in Western Uttar Pradesh, Haryana, Eastern Punjab 4.6 Northern Black Polished Ware (700 – 200 BCE) in Northern India
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Other animals depicted in the painting are Indian buffalo, Indian rhinoceros, bumped cows, tigers, wild pigs, and Nilgai. Sohrai paintings are dedicated to Pashupati, ruler of creatures. The paintings consist of prominent red and black lines, the red lines representing the blood of ancestors and the black line depicting eternal death or god ...