Search results
Results From The WOW.Com Content Network
The Rhetoric of Morality and Philosophy: Plato's Gorgias and Phaedrus. University of Chicago Press. Blyth, Dougal. 1997. “The Ever-Moving Soul in Plato’s Phaedrus.” The American Journal of Philology 118: 185–217. Campbell, Douglas R. "Self‐Motion and Cognition: Plato's Theory of the Soul" Southern Journal of Philosophy 59 (4): 523 ...
Campbell, Douglas 2021. "Self‐Motion and Cognition: Plato's Theory of the Soul." Southern Journal of Philosophy 59 (4): 523–544. Dorter, Kenneth. 1982. Plato's Phaedo: An Interpretation. Toronto: Univ. of Toronto Press. Frede, Dorothea. 1978. "The Final Proof of the Immortality of the Soul in Plato's Phaedo 102a–107a". Phronesis, 23.1: 27 ...
This article about a philosophy -related book is a stub. You can help Wikipedia by expanding it.
In Plato's dialogues, we find the soul playing many disparate roles. Among other things, Plato believes that the soul is what gives life to the body (which was articulated most of all in the Laws and Phaedrus) in terms of self-motion: to be alive is to be capable of moving yourself; the soul is a self-mover. He also thinks that the soul is the ...
In Plato's Republic, Socrates' opponents are compared to "bad Petteia players, who are finally cornered and made unable to move." In the Phaedrus , Plato writes that these games come from Egypt. Latrunculi is often compared to a draughts-like game with custodial capture, called seega , known in Egypt from the late 18th century.
Like the Neo-Platonists, however, Tennemann argued at length that Plato did have a 'secret' or 'esoteric philosophy.' [64] Drawing on the criticism of writing in Plato's Phaedrus and the Seventh Letter attributed to Plato, Tennemann asserted Plato had both practical and philosophical reasons for withholding his 'unwritten doctrines.' [65 ...
Thamus was a mythical Pharaoh of Upper Egypt, and appears in Plato's dialogue Phaedrus.According to the story told by Socrates in that dialogue, King Thamus received from the god Thoth the knowledge of writing, but decided not to use it too often, as he reckoned this will damage the ability to remember extensively.
In Plato's Phaedrus, Socrates talks about ekphrasis to Phaedrus, saying: "You know, Phaedrus, that is the strange thing about writing, which makes it truly correspond to painting. The painter's products stand before us as though they were alive, but if you question them, they maintain a most majestic silence.