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  2. The Four Seasons (Vivaldi) - Wikipedia

    en.wikipedia.org/wiki/The_Four_Seasons_(Vivaldi)

    Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8, 1725). The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year.

  3. List of compositions by Antonio Vivaldi - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    Concerto: Violin, strings: G minor: 315 "Summer" from Il cimento dell'armonia e dell'inventione, ... Lost Vivaldi flute concerto found in Edinburgh archive

  4. Il cimento dell'armonia e dell'inventione - Wikipedia

    en.wikipedia.org/wiki/Il_cimento_dell'armonia_e...

    Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.

  5. File:Vivaldi - Four Seasons 2 Summer mvt 2 Adagio - John ...

    en.wikipedia.org/wiki/File:Vivaldi_-_Four...

    The commons gallery on Antonio Vivaldi.; Vivaldi Spring mvt 1 Allegro (); Vivaldi Spring mvt 2 Largo (); Vivaldi Spring mvt 3 Allegro (); Vivaldi Summer mvt 1 Allegro non molto () ...

  6. Ryom-Verzeichnis - Wikipedia

    en.wikipedia.org/wiki/Ryom-Verzeichnis

    For example, Vivaldi's celebrated Four Seasons, made up of four violin concertos (not sequentially numbered because they are in different keys), and his famous lute concerto are named and numbered as follows: Concerto No. 1 in E major, Op. 8, RV 269 – "La primavera" (Spring) Concerto No. 2 in G minor, Op. 8, RV 315 – "L'estate" (Summer)

  7. L'estro armonico - Wikipedia

    en.wikipedia.org/wiki/L'estro_Armonico

    Op. 3, No. 12, RV 265 (solo violin) First movement of Vivaldi's 5th concerto from Agrell's Easy Genteel Lessons for the Harpsichord. Selfridge-Field describes these as replacing "the virile acrobatics of Vivaldi's violino principale [by] the gentle graces of virginal ornamentation: shakes, coulées, long apoggiaturas, and so forth".