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To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
Print/export Download as PDF; Printable version; In other projects Wikidata item; ... Arabic poetry forms (3 C, 20 P) C. Chinese poetry forms (21 P) F.
This is the lasting viral component of Spoken Word and one of the most popular forms of poetry in the 21st century. It is a new oral poetry originating in the 1980s in Austin, Texas, using the speaking voice and other theatrical elements. Practitioners write for the speaking voice instead of writing poetry for the silent printed page.
Yuan poetry metres continued this practice with their qu forms, similarly fixed-rhythm forms based on now obscure or perhaps completely lost original examples (or, ur-types). Not that Classical Chinese poetry ever lost the use of the shi forms, with their metrical patterns found in the "old style poetry" ( gushi ) and the regulated verse forms ...
In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the expressive complexity of poems, or may be used to align poetic metres.
Different traditions and genres of poetry tend to use different meters, ranging from the Shakespearean iambic pentameter and the Homeric dactylic hexameter to the anapestic tetrameter used in many nursery rhymes. However, a number of variations to the established meter are common, both to provide emphasis or attention to a given foot or line ...
In Book III Plato defines poetry as a type of narrative which takes one of three forms: the "simple," the "imitative" , or any mix of the two. [9] In Book X, Plato argues that poetry is too many degrees removed from the ideal form to be anything other than deceptive and, therefore, dangerous. Only capable of producing these ineffectual copies ...