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Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90 [1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian (/ ˈ t ɪ ʃ ən / ⓘ TISH-ən), was an Italian Renaissance painter, [a] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [4]
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...
The Crowning with Thorns is a painting by the Italian Renaissance master Titian (Tiziano Vecellio) done during 1542 and 1543. It is housed in the Musée du Louvre, in Paris. The painting was commissioned by the confraternity of Santa Maria delle Grazie in Milan. It was brought to France after the Napoleonic conquest of the city in 1797.
Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
The painting, which has been described as "Titian's sleekest, most polished early work", [10] became famous. Giorgio Vasari thought the head of Christ "stupendous and miraculous" and that all artists at the time believed it to be Titian's most perfect painting.
The Three Ages of Man (Italian Le tre età dell'uomo) is a painting by Titian, dated between 1512 and 1514, and now displayed at the Scottish National Gallery in Edinburgh. . The 90 cm high by 151 cm wide Renaissance art work was most likely influenced by Giorgione's themes and motifs of landscapes and nude figures—Titian was known to have completed some of Giorgione's unfinished works after ...
A Man with a Quilted Sleeve is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, [2] measuring 81.2 by 66.3 centimetres (32.0 in × 26.1 in). [3] Though the quality of the painting has always been praised, there has been much discussion as to the identity of the sitter.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy. It is signed "Ticianus Faciebat / MDXXII" on the column of the panel showing St. Sebastian.