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Pieces of digital art range from captured in unique displays and restricted from duplication to popular memes available for reproduction in commercial products. Repositories for digital art include pieces stored on physical media, galleries on display on websites, and collections for download for free or purchase.
When the 1990s began, Billboard magazine published two rock charts, Album Rock Tracks and Modern Rock Tracks, and the two formats played a decidedly different set of artists with a few exceptions.
Google Arts & Culture (formerly Google Art Project) is an online platform of high-resolution images and videos of artworks and cultural artifacts from partner cultural organizations throughout the world, operated by Google.
He has had many solo exhibitions [4] [5] and is one of five artists that art historian Patrick Frank examines in his 2024 book Art of the 1980s: As If the Digital Mattered. [ 6 ] His work in the late 1970s and early 1980s chiefly consisted of postminimal gray palimpsest -like drawings that were often photo-mechanically enlarged. [ 7 ]
New media art falls under the category of "complex digital object" in the Digital Curation Centre's digital curation lifecycle model which involves specialized or totally unique preservation techniques. Complex digital objects preservation has an emphasis on the inherent connection of the components of the piece.
Software art is a work of art where the creation of software, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s.
Post-Internet is a loosely-defined term [1] that was coined by artist/curator Marisa Olson in an attempt to describe her practice. [3] It emerged from mid-2000s discussions about Internet art by Gene McHugh (author of a blog titled "Post-Internet"), and Artie Vierkant (artist, and creator of Image Object sculpture series). [4]
The net.art movement arose in the context of the wider development of Internet art. As such, net.art is more of a movement and a critical and political landmark in Internet art history, than a specific genre. Early precursors of the net.art movement include the international fluxus (Nam June Paik) and avant-pop (Mark Amerika) movements.