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Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
German women adopted hats like fashionable men's baretts early in the century; these were worn over caps or cauls (colettes) made of netted cord over a silk lining. [18] Hats became fashionable in England as an alternative to the hood toward the 1540s. Close fitting caps of fur were worn in cold climates.
Bongrace – a velvet-covered headdress, stiffened with buckram – 16th century; Breton – originating in 19th-century France, a lightweight hat, usually in straw, with upturned brim all the way round; Capeline – 18th–19th century; Capotain (and men) – a tall conical hat, 17th century, usually black – also, copotain, copatain
Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
A Biberhut or Bieber Hit (Biber is the German word for beaver) is a hat worn by some Ashkenazi Jewish men, mainly members of Hasidic Judaism. Two variations exist; the Flache (flat) Bieber Hat, which is mainly worn by adherents of Satmar Hasidim and some Yerushalmi Jews, and the Hoiche (tall) Bieber Hat also referred to as the Polish Hat, worn by most other Hasidic Jews.
Depiction of St. Helena wearing a bycocket (circa 1380) Falconers wearing bycocket caps (circa 1240) A bycocket or bycoket is a style of hat that was fashionable for both men and women in Western Europe from the 13th to the 16th century. [1] [2] It has a wide brim that is turned up in the back and pointed in the front like a bird's beak. [3]
In the 15th century, there was an upsurge of interest in large, sometimes extravagant headwear, which emerged into popular court fashion across Europe. Prior to the 14th century, simple veils or hoods which were fitted close to the face had been the most popular form of headwear for women of all classes.
Barbara Pauli was the leading fashion milliner and modiste in Sweden during the Gustavian era. Caroline Reboux was a renowned milliner of the 19th and early 20th centuries. David Shilling is a renowned milliner, artist and designer based in Monaco. [26] Justin Smith is a milliner creating bespoke and couture hats under the J Smith Esquire brand.