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The Producers is a 1967 American satirical black comedy film. It was directed and written by Mel Brooks, and stars Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars.The film is about a mild-mannered accountant and a con artist theater producer who scheme to get rich by fraudulently overselling interests in a stage musical designed to fail.
Leopold "Leo" Bloom is a timid and mild-mannered accountant, [1] prone to panic attacks and who keeps a fragment of his childhood blue blanket in his pocket to calm himself. . Towards the end of the film, when Leo tries to turn himself in and use his accountant books as evidence, Max stops Leo on the way out the door and steals Leo's books, causing Leo to lose his temper and attack Max in a ...
"Springtime for Hitler" is a song written and composed by Mel Brooks for his 1968 film The Producers. [1] [2]In the original film, the 2001 musical, and 2005 film adaptation, the song is part of the stage musical titled Springtime for Hitler, which the two protagonists produce on Broadway.
The play starts with the musical number, "Springtime for Hitler".Accompanied by dancing stormtroopers, who at one point form a Busby Berkeley–style swastika, [2] the play immediately horrifies everyone in the audience except the author, and one lone viewer who breaks into applause—only for the latter to get pummeled by other disgusted theatergoers.
He eventually found two producers to fund it, Joseph E. Levine and Sidney Glazier, and made his first feature film, The Producers (1968). [58] The Producers was so brazen in its satire that major studios would not touch it, nor would many exhibitors. Brooks finally found an independent distributor who released it as an art film, a specialized ...
She is married to film producer Bert Stratford. [3] Meredith is best-known for the role of the Swedish secretary Ulla in the original 1967 version of The Producers. [4] In 2002, she appeared on the 35th-anniversary DVD edition of The Producers, where she gives an interview and recreates her dance from the original film.
The world loves a good “rise of” story — one that captures the first months of a now-superstar artist’s meteoric rise, whether it’s Elvis or the Beatles or Madonna or Prince or Nirvana ...
During the 1960s, he played small roles in madcap comedies, usually portraying caricatures of counterculture personalities, such as the hedonistic but mother-obsessed Sylvester Marcus in It's a Mad, Mad, Mad, Mad World (1963), and the hippie actor Lorenzo Saint DuBois ("L.S.D.") in The Producers (1967). Besides his film work, he appeared in ...