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The poem tells the story of an early medieval Lombard Duke called Gondibert and his love for the beautiful and innocent Birtha. His love for Birtha means he cannot return the affections of princess Rhodalind, the king's daughter, even though he would be made ruler of Verona if he were to marry her. Rhodalind, in turn, is loved by Oswald.
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
Thomas Hobbes worked for the Dukes of Devonshire at Chatsworth House, as tutor and secretary. [2] After touring the High Peak in 1626, Hobbes published his 84-page Latin poem De Mirabilibus Pecci in 1636. It was published with an English translation in 1676. He recounted: "Of the High Peak are seven wonders writ. Two fonts, two caves.
Thomas Hobbes was born on 5 April 1588 (Old Style), in Westport, now part of Malmesbury in Wiltshire, England.Having been born prematurely when his mother heard of the coming invasion of the Spanish Armada, Hobbes later reported that "my mother gave birth to twins: myself and fear."
Hobbes was critical of the assumptions of scholastic philosophers, whose evidence for human nature was based upon Aristotelian metaphysics and Cartesian observation, as opposed to reasoning and definition. [5] Though Hobbes did not fully reject the value of observational or ‘prudential’ knowledge, he dismissed the view that this was at all ...
Leviathan or The Matter, Forme and Power of a Commonwealth Ecclesiasticall and Civil, commonly referred to as Leviathan, is a book written by Thomas Hobbes (1588–1679) and published in 1651 (revised Latin edition 1668).
There was a profound feeling that a new epistemology, or 'science of knowledge' was needed to deal with the question of vital nature and the nature of life itself. Art, and in particular poetry, provided a vehicle to explore vital nature and to get to its essence, but for it to be scientific required an epistemological foundation.
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...