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In this period, he released albums such as Accent on Africa (1968) and The Price You Got to Pay to Be Free (1970). In that same year, his quintet appeared at the Monterey Jazz Festival in California, and a brief scene of that performance was featured in the 1971 psychological thriller Play Misty for Me , starring Clint Eastwood .
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
Charlie Rouse, Bossa Nova Bacchanal (Blue Note, 1963) Vanessa Rubin, I'm Glad There Is You (RCA, 1994) Jimmy Rushing, Every Day I Have the Blues (Bluesway, 1967) A. K. Salim, Flute Suite (Savoy, 1957) Lalo Schifrin, Once a Thief and Other Themes (Verve, 1965) Shirley Scott, Travelin' Light (Prestige, 1994) Zoot Sims, Recado Bossa Nova (Fresh ...
Getz was excited about the sound of bossa nova and released two albums: Jazz Samba and Big Band Bossa Nova, both in 1962. Bossa nova became so popular that the title Big Band Bossa Nova was used for three other 1962 albums: by Quincy Jones, Oscar Castro-Neves, and Enoch Light.
Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
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"Bossa Nova in Broadway" by Azymuth "Bossa Nova York" by Lionel Hampton & His New York Octet "Boston Post Road" (music by Joseph Meyer and Roger Wolfe Kahn; lyrics by Irving Caesar) "The Boston Rag" by Steely Dan "Boulevardier from the Bronx" (from the musical Colleen) "The Bowery" (from the musical A Trip to Chinatown) "The Bowery" by Exuma
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, percussionist, and bandleader.He worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones.