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It is a great theatre, long mistaken for an amphitheatre, but clearly D-shaped from aerial photos. The actual amphitheatre lies under the church in the village of Agioi Deka, built over the arena where the 10 saints were martyred. The shape of the arena can be made out in surrounding buildings. [2] Aquincum: Budapest: Hungary
When it comes to superlative Roman buildings, Rome’s own amphitheater is by far the most famous. With a maximum seating capacity of 80,000, it’s the largest ancient amphitheater ever built.
The Pula Arena (Croatian: Pulska Arena; Italian: Arena di Pola) is a Roman amphitheatre located in Pula, Croatia. It is the only remaining Roman amphitheatre to have four side towers entirely preserved. It was constructed between 27 BC and AD 68, [2] and is among the world's six largest surviving Roman arenas. [2]
The Amphitheatre of Pompeii in the 1800s, one of the earliest known Roman amphitheatres. It is uncertain when and where the first amphitheatres were built. There are records attesting to temporary wooden amphitheatres built in the Forum Romanum for gladiatorial games from the second century BC onwards, and these may be the origin of the architectural form later expressed in stone. [5]
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Pula Arena, Croatia. About 230 Roman amphitheatres have been found across the area of the Roman Empire.Their typical shape, functions and name distinguish them from Roman theatres, which are more or less semicircular in shape; from the circuses (similar to hippodromes) whose much longer circuits were designed mainly for horse or chariot racing events; and from the smaller stadia, which were ...
The Arena of Nîmes (French: Arènes de Nîmes) is a Roman amphitheatre in Nîmes, Southern France. [1] Built around 100 AD, shortly after the Colosseum of Rome, it is one of the best-preserved Roman amphitheatres in the world. [1] It is 133 metres (436 ft) long and 101 metres (331 ft) wide, with an arena measuring 68 by 38 metres (223 by 125 ...
The space was constructed shortly after Pompeii's induction as a Roman colony, and an inscription on the amphitheatre honouring the donors, Gaius Quinctius Valgus and Marcus Porcius, cites one of their motives, being, "to demonstrate the honour of the colony," perhaps indicating the amphitheatre's role in establishing Roman influence in Pompeii ...