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The Trout Quintet (Forellenquintett) is the popular name for the Piano Quintet in A major, D. 667, by Franz Schubert. The piano quintet was composed in 1819, [1] when he was 22 years old; it was not published, however, until 1829, a year after his death. [2] Rather than the usual piano quintet ensemble of piano and string quartet, the Trout ...
" Die Forelle" (German for "The Trout"), Op. 32, D 550. is a lied, or song, composed in early 1817 for solo voice and piano with music by the Austrian composer Franz Schubert (1797–1828). Schubert chose to set the text of a poem by Christian Friedrich Daniel Schubart, first published in the Schwäbischer Musenalmanach in 1783.
Trio, D 2F (Schubert) Trout Quintet; V. Schubert's compositions for violin and piano; Violin Sonata in A major, D 574 (Schubert) Violin Sonatas, Op. 137 (Schubert) W.
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Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition.
The Adagio and Rondo Concertante (Adagio e Rondo concertante) in F major for piano quartet, D 487, was composed by Franz Schubert in 1816. A "brilliant" work designed as a display piece for the piano soloist, it is not only one of the few works the composer wrote in this style, but it is his first complete composition for piano and string ensemble, preceding the "Trout" Quintet" by three years.
This is Schubert's first symphony to not start with a slow introduction. What starts the movement is a four-bar structural upbeat similar to the one that begins the finale of his Fourth Symphony before the main theme starts on bar 5. [3] The main theme is a simple rising arpeggio with a dotted rhythm that dominates all of the themes of the ...
A quintet is a group containing five members. ... Franz Schubert: Trout Quintet in A major, D. 667 (1819), String Quintet in C major, Op. 163 (D. 956, 1828)