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Silver was important in Byzantine art and society more broadly as it was the most precious metal right after gold. [1] Byzantine silver was prized in official, religious, and domestic realms. Aristocratic homes had silver dining ware, and in churches silver was used for crosses, liturgical vessels such as the patens and chalices required for ...
Carolingian jewelry is similar to Byzantine in that the modern world has lost almost all of it, except that which was created for religious purposes. [22] The Carolingians were similar to the barbarians in their love of color, but the techniques they used – especially enameling – are much more reminiscent of the Byzantines. [ 22 ]
In the museum, handcrafted silver filigree artwork from the Roman Empire, Byzantine Empire, ottoman Empire periods and the Republican era are on display. [1] There is a workshop inside the museum, where visitors can observe the silversmithing, and also participate in handcrafting. [1] The museum offers filigree artwork for sale to the visitors. [1]
The appearance of cloisonné jewelry from Germanic workshops in the mid-5th century is a complete break with the culture's traditions, signaling that they likely picked up the technique from the east, where the Byzantine Empire was gaining a foothold as the center of the Late Roman Empire. [29]
A Byzantine chain is a metal intricate design used in jewelry that incorporates a rope-like texture and organic textural design. The chains are supple and flexible, and drape well. The chains are supple and flexible, and drape well.
After the reign of Justinian I, the manufacture and sale of silk became an imperial monopoly, only processed in imperial factories, and sold to authorized buyers. [1] Byzantine silks are significant for their brilliant colours, use of gold thread, and intricate designs that approach the pictorial complexity of embroidery in loom-woven fabric. [2]