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Original file (760 × 1,122 pixels, file size: 22.22 MB, MIME type: application/pdf, 314 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Toggle Aesop's Fables subsection. 1.1 Titles A–F. ... Print/export Download as PDF; ... Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
A painting of the fable in a Greek manuscript, c.1470. The Cock, the Dog and the Fox is one of Aesop's Fables and appears as number 252 in the Perry Index.Although it has similarities with other fables where a predator flatters a bird, such as The Fox and the Crow and Chanticleer and the Fox, in this one the cock is the victor rather than victim.
An original fable by Laurentius Abstemius demonstrates the kinship between the story of "The Eagle and the Fox" and another by Aesop about The Eagle and the Beetle.In the Abstemius story, an eagle seizes some young rabbits to feed its young and tears them to pieces despite their mother's plea for mercy, thinking that an earth-bound creature could do it no harm.
At the start of the 19th century, La Fontaine's English translator, John Matthews, was to expand the fable to even greater length. Beginning with the Roman context, he pictures the social strife in more or less contemporary terms and so hints that the fable supports the power of the aristocratic parliament of his day without needing to say so ...
Edward Hughes, as the third in his ten Songs from Aesop's Fables for children's voices and piano (1965), in a version by Peter Westmore; Andre Asriel, Der Frosch und der Ochse, the second in his 6 Fabeln nach Aesop for mixed a cappella voices (1972) [21] Isabelle Aboulker among the seven in her children's operetta La Fontaine et le Corbeau ...
The moral drawn in Mediaeval Latin retellings of the fable such as those of Adémar de Chabannes and Romulus Anglicus [7] was that one should learn from the misfortunes of others, but it was also given a political slant by the additional comment that "it is easier to enter the house of a great lord than to get out of it", as William Caxton expressed it in his English version. [8]