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The pink sandstone Jain and Buddhist sculptures of Mathura from the 1st to 3rd centuries CE reflected both native Indian traditions and the Western influences received through the Greco-Buddhist art of Gandhara, and effectively established the basis for subsequent Indian religious sculpture. [4]
The Sanchi Yakshi Figure is a sandstone statue of the Shalabhanjika Yakshi from the ancient Buddhist site of Sanchi in the state of Madhya Pradesh, India.One of the earliest Buddhist sculptures from the Indian subcontinent, it has been part of the British Museum's collection since 1842.
The Didarganj Yakshi (or Didarganj Chauri Bearer; Hindi: दीदारगंज यक्षी) is one of the finest examples of very early Indian stone statues.It used to be dated to the 3rd century BCE, as it has the fine Mauryan polish associated with Mauryan art, but another Yakshi is also found but without polish so it is also dated to approximately the 2nd century CE, based on the ...
The art of Mathura continued to become more sophisticated during the Gupta Empire, between the 4th and 6th centuries CE. The pink sandstone sculptures of Mathura evolved during the Gupta period (4th to 6th century CE) to reach a very high fineness of execution and delicacy in the modeling, displaying calm and serenity. [226]
The Barabar caves are the first known and dated example of Mauryan polish, dedicated by Ashoka in several inscriptions, in the year 12 and the year 19 of his reign. The caves were carved from granite, an extremely hard rock, and finished with a very fine polishing of the inner surface, giving a mirror effect of great flatness, as well as an echo effect.
Historian Ajit Kumar gives a later date to Bharhut, the 1st century CE, based on stylistic comparisons with datable works of art from the Art of Mathura, particularly sculptures inscribed in the name of ruler Sodasa. [4] Many of the Bharhut remains are now located in the Indian Museum in Kolkata, with others in museums in India and abroad ...