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Title Director Cast Notes Release date Ref The Accusation: Yvan Attal: Ben Attal, Suzanne Jouannet, Charlotte Gainsbourg, Mathieu Kassovitz, Pierre Arditi, Audrey Dana, Benjamin Lavernhe, Judith Chemla
The film follows the life of a star television journalist caught in a spiral of events that will lead to her downfall. Between drama and comedy, France seeks to compare the intimate and public crisis of a young woman with a portrait of contemporary France. [2] The film had its world premiere at the Cannes Film Festival on 15 July 2021. It was ...
French films released in 1968; Title Director Cast Genre Notes 17th Parallel: Vietnam in War: Joris Ivens: Documentary [1] 24 Hours in the Life of a Woman: Dominique Delouche: Danielle Darrieux, Robert Hoffmann, Lena Skerla: Drama, romance: French-West German co-production [2] Adieu l'ami: Jean Herman: Alain Delon, Charles Bronson, Olga Georges ...
Entered into the 1997 Cannes Film Festival: The Banned Woman: Philippe Harel: Entered into the 1997 Cannes Film Festival: Bet: Didier Bourdon, Bernard Campan: Didier Bourdon, Bernard Campan: The Chambermaid on the Titanic: Bigas Luna: Romane Bohringer, Olivier Martinez: Period drama: Le Bossu: Philippe de Broca: Daniel Auteuil, Fabrice Luchini ...
Entered into the 2000 Cannes Film Festival The King's Daughters: Patricia Mazuy: Jean-Pierre Kalfon, Isabelle Huppert: Screened at the 2000 Cannes Film Festival Mirka: Rachid Benhadj: Vanessa Redgrave, Gérard Depardieu, Sergio Rubini, Franco Nero: Drama: Pâques Man: Michel Leray: Loïc Houdré, Ludovic Berthillot, Lyia Terki: Horror thriller ...
A third child is born and shortly after, Louis is summoned to the First Indochina War, forcing his family to return to France. During her husband's absence, Jeanne gets involved in an affair with Matthias, who has followed her to France. They try to escape with the children but their attempt is frustrated by Louis' brother.
The film was reviewed by Variety, and described as "a silly farce with few amusing moments and many more boring ones". [3] The San Francisco Chronicle noted that "the film goes as far as a non-pornographic film can go in depicting sexuality" but "Eventually you catch on that the film isn't really making fun of itself so much as making fun of the audience for watching."