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Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
The portrait of Diderot (1769) has recently had its attribution to Fragonard called into question. [citation needed] Early engraving after Jean-Honoré Fragonard titled Chaumiére Italienne [8] A lukewarm response to these series of ambitious works induced Fragonard to abandon the Rococo style and to experiment with Neoclassicism.
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Portrait of Pittoni by Bartolomeo Nazari Giambattista Pittoni or Giovanni Battista Pittoni (6 June 1687 – 6 November 1767) was a Venetian painter of the late Baroque or Rococo period. [ 1 ] He was among the founders of the Academy of Fine Arts of Venice , of which in 1758 he became the second president, succeeding Tiepolo .
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Juno Receiving the Head of Argos (1730-32) Oil on canvas, 108 x 72 cm. Moor Park, Rickmansworth, Hertfordshire. Jacopo Amigoni (c. 1685 – September 1752), [1] also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand.
The painting is a decanted exponent of the Rococo style, and its characteristic stylistic features: vivacity, immediacy, curiosity, chromaticism of soft roses, gauze textures in the women's skirts, a luminous landscape background and the reflection of a charming moment of enjoyment of life not without possibilities of flirting.