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This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Thomas Lawrence, Satan summoning his Legions, 1796–1797 – Royal Academy of Arts. You can see its nomination here.
Lawrence's departures from portraiture were very rare. In the early 1790s he completed two history pictures: Homer Reciting his Poems, a small picture of the poet in a pastoral setting; and Satan summoning his legions, a giant canvas illustrating lines from John Milton's Paradise Lost. [19]
In the artist Sir Thomas Lawrence's 1797 exhibition at the Royal Academy, an enormous painting of Satan Summoning His Legions, was based upon a giant portrait of the muscular Jackson. [citation needed] Jackson features as a character in Rodney Stone, a Gothic mystery and boxing novel by Sir Arthur Conan Doyle. [citation needed]
Bartholdi sculpting with a miniature of Liberty Enlightening the World, now known as the Statue of Liberty, to his left. Bartholdi served in the Franco-Prussian War of 1870 as a squadron leader of the National Guard, and as a liaison officer to Italian General Giuseppe Garibaldi, representing the French government and the Army of the Vosges.
Saint Michael Vanquishing Satan is a painting by the Italian High Renaissance artist Raphael. It shows the archangel Michael standing on top of Satan 's back with his right foot. The painting was commissioned by Pope Leo X and has been located in the Louvre in Paris since 1667.
The Statue of Liberty (Liberty Enlightening the World; French: La Liberté éclairant le monde) is a colossal neoclassical sculpture on Liberty Island in New York Harbor, within New York City. The copper -clad statue, a gift to the United States from the people of France , was designed by French sculptor Frédéric Auguste Bartholdi and its ...
"The Satanic Temple Iowa is proud to participate in the festivities at our Capitol this holiday season," the group said in a statement. "Our display features the 7 Tenets, a set of seven core ...
One of the major attractions of the museum's European Art Section, the statue is 177.2 cm tall and was presumably created in the late 19th century, in France. The sculpture represents the thin line between the duplicity of good and evil as represented by Margaretta and Mephistopheles, respectively.