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MACBETH. She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow; a poor player,
Macbeth arrives and says he's very impressed by his wife's poetic way of speaking. Lady Macbeth says that he should kill Duncan, emphasising that he should appear to be wholly innocent in public. But Macbeth takes literally her Shakespearean imagery – such as trying to resemble a flower after his wife tells him he should "look like the ...
Dramatic Irony is when the reader knows something important about the story that one or more characters in the story do not know. For example, in William Shakespeare's Romeo and Juliet, the drama of Act V comes from the fact that the audience knows Juliet is alive, but Romeo thinks she's dead. If the audience had thought, like Romeo, that she ...
'Irony' comes from the Greek eironeia (εἰρωνεία) and dates back to the 5th century BCE.This term itself was coined in reference to a stock-character from Old Comedy (such as that of Aristophanes) known as the eiron, who dissimulates and affects less intelligence than he has—and so ultimately triumphs over his opposite, the alazon, a vain-glorious braggart.
However, the role is full of irony; he is completely deceived in the intents of Macbeth and therefore may come across as naive. Although a modern reader may view Duncan as an incompetent monarch in this respect, Duncan represents moral order within the play and his murder signals the onset of chaos.
The Three Witches of Macbeth have inspired several painters over the years who have sought to capture the supernatural darkness surrounding Macbeth's encounters with them. For example, by the 18th century, belief in witches had waned in the United Kingdom.
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
Shakespeare, as was customary for other playwrights in his day, used history, other plays, and non-dramatic literature as sources for his plays. Additionally, tragedy was a new and exciting theatrical phenomenon in the late 16th century, rather than an established and self-evident dramatic form; because of this, Shakespeare and his ...